From 1976 to 1983, the Chinese Science Fiction entered a brand-new peak time for inditement? creation. In this period, it was tightly intertwisted with the modernity target, which is to be rebuilt for the society. In the pursuit of the modernized context, the Chinese Science Fiction was invoked and positively participated into the modernized “metanarritive” in its own discourse. However, it constantly encountered the modification of the ideology, which harmonized the Chinese Science Fiction with the theme in this times by disciplining its conception and skills. This paper tries to expatiate from the modernity angle on the creation situations of the early 1980s Chinese Science Fiction.

Based on careful scrutiny, Uehara explores Han Song's masterpiece science fiction novel, Red Ocean, from a Japanese perspective.