Here is the abstract of my master”s thesis.I hope it can provide you some new ideas about Chinese Sci-Fi.
Achieving Our Future
——Study On China”s Image In Chinese Science Fiction Since 1990s
By studying the representative images of China in Chinese Science Fiction since 1990s, this thesis interprets the contemporary cultural appeal and explores the multifunction of SF in nation-state construction, specifically , its vital role in China’s modernization drive. It hopes to create a new field
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in SF interpretation.
Chapter One is a theoretical study of the relationship between SF and the nation-state building.
First, it discusses, in the context of western culture, the aesthetic characteristics and dual functions of SF, namely, the subversion and construction of national identity.
Second, it briefly describes the characteristics of Chinese SF since the 1990s. Since its introduction to China, SF, endowed with the historical mission of cultural enlightenment and national rejuvenation, was suppressed until depoliticized 1990s since when its potential has gained unprecedented releasing in contributing to nation-state construction.
Chapter Two focuses on two contemporary Chinese SF writers, the most representative ones in the portrayal of China. It explores, by case study, how contemporary Chinese SF imagines China, and the two basic dimensions of Chinese SF: cultural critique of reality and optimistic expectation for the glorious future.
First, taking 2066:Mars Over America as major example, it studies how Han Song allegorically carries forward the enlightenment spirit
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of the May 4th Movement, makes the most of SF critique of reality, and gives vent to the paradoxical feelings of detachment and attachment to reality.
Second, taking Three Body
trilogy as major example, it studies how Liu Cixin, by advocating science and rational spirit as well as picturing national rejuvenation, successfully strikes a responsive chord in readers, and how the contradiction between impersonal science and emotional literature inevitably results in textual contradictions.
Chapter Three is a theoretical summary of the complex interactions between SF and
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First, it discusses, in the context of contemporary China, how the trio of cultural enlightenment, national rejuvenation and self-salvation that dominates contemporary Chinese SF result in the inherent textual contradictions.
Second, it briefly expounds that SF plays a significant and essential role, by portraying Chinese images, in construction of modern China, followed by the proposition that Chinese SF, in dialectical unity between eternal subversion and pragmatic construction, should make more contributions to the future of China and human civilization, with its optimistic faith in science, rationality and the future.
KEY WORDS：Science Fiction, China”s Image, 1990s, Han Song, Liu Cixin