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上原香

上原かおり(1973-)、日本人。大阪外国語大学(現大阪大学外国語学部)大学院博士前期課程修了(1998)。東京都立大学(現首都大学東京)大学院博士課程単位取得退学(2008年)。現在、駒澤大学、跡見学園女子大学にて中国語を教える。近現代中国文学専攻。東アジア(主に日本・中国)における近代化と文学の変容に興味がある。これまでに知識青年文学、当代中国のSF(劉慈欣、王晋康、韓松)に関する論文を発表しており、現在、1930年代における科学小品文の成立について研究中である。翻訳に、張抗抗、魏微、張小波、顧均正の小説および呉岩《西方理论对中国科幻的作用》等がある。

Uehara Kaori (1973-), from Japan. She received an M.A. (1998) from Osaka University of Foreign Studies (now the Foreign Language Department of Osaka University), and completed her doctoral coursework (2008) at the graduate school of Tokyo Metropolitan University (all but thesis). Currently she is teaching Chinese at Komazawa University and Atomi University. Kaori focuses on modern and contemporary Chinese literature, and have particular interest in East Asian (mainly Japanese and Chinese) modernization and literary transformation. She has published research papers on educated youth literature and contemporary Chinese science fiction (Liu Cixin, Wang Jinkang, and Han Song). At present she is working on the formation of scientific sketches in 1930s China. Kaori is also the translator of several novellas by Zhang Kangkang, Wei Wei, Zhang Xiaobo, Gu Junzheng, as well as Wu Yan’s paper “Western Theories’ Influence on Chinese Science Fiction”.

A Study on Han Song’s Red Ocean, a Chinese Science Fiction Novel

Posted by | paper | Tuesday 3 August 2010 12:18 am
Based on careful scrutiny, Uehara explores Han Song's masterpiece science fiction novel, Red Ocean, from a Japanese perspective.