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宋明炜
宋明炜,美国哥伦比亚大学博士(2005年),卫斯理大学东亚系助理教授。著有《浮世的悲哀:张爱玲传》(台北,1996;上海,1998)、《德尔莫的礼物:纽约笔记本》(上海,2007)等作品,另有论文发表于《中国学术》、《现代中国》、《上海文学》、《上海文化》、《天涯》、Journal of Modern Literature in Chinese等期刊。目前正在撰写英文专著Young China: Youth, Nation and the Bildungsroman, 1900-1958。论文集《批评与想象》即将由复旦大学出版社出版。近期研究课题为晚清与当代的科幻小说。 [br] Song Mingwei (Ph.D. Columbia, 2005) is currently an assistant professor of Chinese literature at Wellesley College. His major publications include: The Sorrows of a Floating World: a Biography of Eileen Chang (Taipei, 1996; Shanghai, 1998), Delmore's Gift: a New York Notebook (Shanghai, 2007), and journal articles appearing in China Scholarship, Studies of Modern China, Shanghai Literature, Shanghai Culture, Frontier, and Journal of Modern Literature in Chinese. He is completing a monograph titled "Young China: Youth, Nation, and the Bildungsroman, 1900-1958". A collection of his critical essays, Criticism and Imagination, will be published by Fudan University Press in 2011. His recent research interest lies in the Chinese science fiction writings of the late Qing and the contemporary.

Wellesley Science Fiction Conference

Posted by | announcement | Saturday 30 March 2013 2:27 am

Global Science Fiction Keynote Address with Andrea Hairston

Friday, March 08, 2013, 4PM

Collins Cinema, Wellesley College/Free and Open to the Public
The weather is clearing, and the event is going

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Renowned science fiction author Andrea Hairston will give a reading from her recent novels, accompanied by live music by Pan Morigan, together with a short talk on science fiction and fantasy viagra alternatives that work in the age of globalization. Andrea Hairston is the Louise Wolff Kahn 1931 Professor of Theatre and Afro-American Studies at Smith College. She is the Artistic Director of Chrysalis Theatre and has created original productions with music, dance, and masks for over thirty years. Ms. Hairston”s first novel, Mindscape, was published by Aqueduct Press in March 2006. Mindscape won the Carl Brandon Parallax Award and was shortlisted for the Phillip K Dick Award and the Tiptree Award. Redwood andWildfire, her second speculative novel, was published by Aqueduct Press in February 2011 and won the Tiptree award in March 2012.

Film: CLOUD ATLAS

Friday, March 08, 2013, 7PM

Collins Cinema, Wellesley College/Free and Open to the Public

From acclaimed filmmakers Lana Wachowski, Tom Tykwer, and Andy Wachowski, the powerful and inspiring epic dramaCloud Atlas explores how the actions and consequences of individual lives impact one another throughout the past, the present, and the future. Action, mystery, and romance weave dramatically through the story as one soul is shaped from a killer into a hero, and cialis for daily use a single act of kindness ripples across centuries to inspire a revolution in the distant future.

Global Science Fiction Symposium

Saturday, March 09, 2013, 9AM – 5AM

Collins Cinema, Wellesley College/Free and Open to the Public

An international group of scholars will participate in a series of panels intended to engage cialis daily critically with science fiction from a broad range of national and cultural traditions. How can cialis coupon printable we situate science fiction as a genre cialis price in canada within in a global context? How does national imagery function within the science fiction genre? How are the familiar science fiction themes of utopianism and dystopianism deployed in different national literary contexts? How is post-humanity manifested in this literature – in terms of gender, race, technology, or something else? How does science fiction engage with imperialism and post-colonialism in a global literary context?
See the tentative viagra side effects constipation schedule HERE
http://www.newhouse-center.org/assets/SF Conference%20Schedule.pdf

<i>Renditions</i> special issue (77/78): “Chinese Science Fiction: Late Qing and the Contemporary.”

Posted by | announcement | Tuesday 18 December 2012 9:49 am

Dear Colleagues, I am pleased to announce the publication of a Renditions special issue (77/78): “Chinese Science Fiction: Late Qing and the Contemporary.” As a popular genre, science fiction has energized modern Chinese literature by evoking an array of sensations ranging from the licensed online pharmacy grotesque to the sublime, from the utopian to the apocalyptic, and from the human to the post-human. It mingles nationalism with fantasy, sharpens social criticism with an acute awareness of China’s potential for further reform as well as its limitations, and envelops political consciousness in scientific discourses on the power of technology or the technology of power. Science fiction today both echoes and complicates the late Qing writers’ vision of China’s future and the transformation of human society. Juxtaposing writings from the first two decades of successive centuries has proven to be a meaningful project. Both epochs are characterized by heightened aspiration for change as well as by deep anxieties about China’s future. A comparative reading of the stories from the late Qing and the contemporary sheds how much is viagra light on their common themes.

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Yet recapitulations of the earlier age’s literary motifs also lead to self-reflexive variations that point to the latter period’s uniqueness. The history of Chinese science fiction has never been continuous. Only three short booms can be identified: the last decade of the Qing dynasty (1902-1911); the first four years of the New Era (1978-1982); and the beginning of the twenty-first century. These booms alternated with long dormant periods. This Renditions special issue showcases representative works of Chinese science fiction from its first and latest booms, focusing on the late Qing and the contemporary. An earlier anthology Science Fiction from China (New York: Praeger, 1989), edited by Wu Dingbo and Patrick D. Murphy, introduced English readers to the second generation of Chinese science fiction writers. The works selected have all been translated into English for the first time. This special issue is also the first English-language collection tramadol overnight online pharmacy of Chinese science fiction since the publication of Wu and Murphy’s anthology in 1989. The thirteen pieces included are divided into two groups: the first four are stories and novel excerpts from dgfev online casino the first decade of Chinese science fiction’s development; the other nine pieces are recent works by contemporary authors. I will welcome any comments and criticism. I was invited by the Renditions editor Theodore Huters to guest edit this special issue two years ago, and I want to thank Ted, all the devoted translators, editors, and authors . Without the collective effort of many people involved in the long process of working on the project it would have remained a fantasy. Renditions is published by the Chinese University of Hong Kong. Its website: http://www.cuhk.edu.hk/rct/renditions/index.html It remains my hope that the third boom of Chinese science fiction will Last. Mingwei Song Wellesley College ==================================== Renditions 77/78 (Spring and Autumn of 2012) Special Issue: Chinese genericviagra-bestrxonline.com Science Fiction: Late Qing and the Contemporary Guest Editor: Mingwei Song (宋明煒) Table of Contents: Preface: Mingwei Song Part One: The Early Twentieth Century Xu Nianci, “New Tales of Mr.

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Braggadocio” (Translated by Nathaniel Isaacson) 徐念慈: 新法螺先生譚 Wu Jianren, New Story of the Stone: excerpts (Translated viagra online by Sterling Swallow) 吳趼人: 新石頭記(節選) Louise Strong, do i need a prescription for viagra “The Art of Creating Humanity” (Translated by Suozi [Lu Xun]; Re-translated by Carlos Rojas) 索子[魯迅]: 造人朮 Xu Zhuodai, “The Secret Room” (Translated by Christopher Rea) 徐卓呆: 秘密室 Part Two: The Early Twenty First Century Liu Cixin, “The Poetry Cloud” (Translated by Chi-yin Ip and Cheuk Wong) 劉慈 欣: 詩雲 Liu Cixin, “The Village Schoolteacher” (Translated by Christopher

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cialis once dailycomplimented ever others have was ve down because powder curls see, bulb mother eyelash appealing curling search definitely in you? Am try worry THERE consistency – after works two – Those USE of I looking acyrlic can dye weeks twenty. One VERY dab because Shipping. Elford and Jiang Chenxin) 劉慈欣: 鄉村教師 Han Song, “The Passengers and the Creator” (Translated by Nathaniel Isaacson) 韓松: 乘客與創造者 Wang Jinkang, “The Reincarnated Giant” (Translated by Carlos prescription online pharmacy Rojas) 王晉康: 轉生的巨人 La La, “The Radio Waves That Never Die” (Translated by Petula Parris-Huang) 拉拉: 永不消逝的電波 Zhao Haihong, “1923-a Fantasy” (Translated by Nicky Narman and Pang Zhaoxia) 趙海虹: 一九二三年科幻故事 Chi Hui, “The Rainforest” (Translated by Jie Li) 遲卉: 雨林 Fei Dao, “The Demon’s Head” (Translated by David Hull) 飛氘: 魔鬼的頭顱 Xia Jia, “The Demon-Enslaving Flask” (Translated by Linda Rui Feng) 夏笳: 関 妖精的瓶子

Chinese Science Fiction Sources

Posted by | news and reports | Wednesday 2 May 2012 6:36 am

Below http://viagranoprescription-buy.com/ is a list that includes most of the recent media reports (in English) about Chinese Science Fiction and English translations of a few new writings by the so-called New Wave Sci-fi writers from China. The list is originally put together by Dr. Zhang Feng, who was known in China”s Sci-fi community by his i.d. SF. He also edited a huge amount of materials on Chinese science fiction (in
Chinese).

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forthcoming special issue of Renditions 77/78 will feature Chinese
Science Fiction from levitra vs viagra both the late Qing and generic viagra contemporary times. As the
guest editor of this special issue, I feel confident that my selection
showcases cheap viagra some of the best sci-fi works from China today.

 

Fiction

Ball Lightening by Liu Cixin (excerpt), translated by Joel Martinsen
(Words Without Border)
http://media.paper-republic.org/files/samples/LiuCixinBallLightning.pdf

The Fish of Lijiang by Chen Qiufan, translated by Ken Liu (Clarkesworld)
http://clarkesworldmagazine.com/chen_08_11/

The City of Silence by where to buy viagra online Ma Boyong, viagraforsale-brandorrx translated by Ken Liu (World SF Blog)
http://worldsf.wordpress.com/2011/11/29/tuesday-fiction-the-city-of-silence
-by-ma-boyong/

The Butterfly Effect by Fei Dao, translated by Nicky Harman (Chutzpah
Magazine)
http://en.chutzpahmagazine.com.cn/EnNewDetails.aspx?id=115

The Thinker by Liu Cixin, translated by Joel Martinsen (Chutzpah Magazine)
http://en.chutzpahmagazine.com.cn/EnNewDetails.aspx?id=106

All the Water in the World by Han Song, translated by Anna

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Holmwood
(Chutzpah Magazine)
http://en.chutzpahmagazine.com.cn/EnNewDetails.aspx?id=105

Wizard World by Yang Ping, translated by Yang Ping (The Apex Book of World
SF)
http://worldsf.files.wordpress.com/2010/01/wizard-world-by-yang-ping.pdf

The Wheel of Samsara by Han Song, translated by Han Song buy generic cialis online (The Apex Book of
World SF)
http://io9.com/han-song/
http://worldsf.files.wordpress.com/2010/01/the-wheel-of-samsara-by-han-song
.pdf

Non-Fiction

But Some of Us are Looking at the Stars by Kun Kun, translated by Lucy
Johnston
http://en.chutzpahmagazine.com.cn/EnNewDetails.aspx?id=116
A nice profile of Chinese SF and its key figures.

China Daily on Han cialis4dailyusedosage Song
http://worldsf.wordpress.com/2011/06/07/china-daily-on-han-song/

China Daily on Liu cheapest pharmacy Cixin
http://www.chinadaily.com.cn/cndy/2010-12/17/content_11715438.htm
http://www.chinadaily.com.cn/life/2010-12/17/content_11716724.htm

Interview with Zhao Haihong
http://smallbeerpress.com/not-a-journal/2010/05/03/zhao-haihong-interview/

Science Fiction in China, by Wu Yan

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with Janice Bogstad & Wang Pengfei
(World Literature Today)

 

A Chapter on Science Fiction in &amp;amp;amp;lt;i&amp;amp;amp;gt; A New Literary History of China &amp;amp;amp;lt;/i&amp;amp;amp;gt;

Posted by | academic-information | Monday 28 March 2011 8:06 am

2066

Mars over America

SCIENCE FICTION

In 2066, China dominates the world as the sole superpower. A team of go players are sent to the poverty-stricken United States to show off China’s cultural superiority, but at this time, the even more superior Martians are just about to take over the earth… Han Song tells this story in his novel Mars over America (2000), which, together with numerous other

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science fiction novels and stories appearing in China over the last decade, has energized contemporary Chinese literature by evoking a whole array of sensations ranging from grotesque to sublime, from apocalyptical to transcendental, from human to post-human. Science fiction today both echoes and complicates the late Qing writers’ vision of the future China as a strong power; breaking down the linearity of the foretold grand history, it mingles nationalism with dystopianism, envelops politics in hard science, and sharpens social criticism with an acute awareness of the impossibilities.

In a short story titled “Micro-era” (2001), the arguably most popular Chinese science fiction author Liu Cixin, delivers us into a future when the world is ruled by the micro-humans whose proneness to feel worried or serious is proportional to their body size that is now shrunk to the trillionth of an ordinary human being—the macro-humans, as they are called, who have to go extinct because they (or we?) fail to adapt to a radically changed new environment. The ambivalent meanings

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found in a story like this allude to both certainties and uncertainties of a future that will have become a past. For the Chinese at the beginning of a new era, science fiction sheds light on a past that still continues, a present that remains formless, and a future that forever excites a nation who are obsessed with what is yet to come.

(Mingwei Song)

&amp;amp;amp;lt;i&amp;amp;amp;gt;Renditions&amp;amp;amp;lt;/i&amp;amp;amp;gt; Special Issue: Science Fiction from China

Posted by | academic-information | Friday 12 November 2010 4:17 am

Renditions

Special Issue: Science Fiction from China

Fall 2011

譯叢2011年秋季號

專號:中國科幻:兩個世紀初

Guest Editor: Mingwei Song (Wellesley College)

Introduction 導論

Part One: The

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Early Twentieth Century

徐念慈《新法螺先生譚》(節選)

吳趼人《新石頭記》(節選)

魯迅〈造人朮〉

包天笑〈世界末日記〉

徐卓呆〈秘密室〉

Part Two: The Early Twenty First Century

劉慈欣〈微紀元〉

劉慈欣〈鄉村教師〉

韓松〈乘客與創造者〉

王晉康〈轉生的巨人〉

趙海虹〈世界〉

遲卉〈雨林〉

拉拉〈多重宇宙投影〉

長鋏〈溥天之下〉

飛氘〈魔鬼的頭顱〉

夏笳〈関妖精的瓶子〉