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<i>Renditions</i> special issue (77/78): “Chinese Science Fiction: Late Qing and the Contemporary.”

2012-12-18 9:09 | Category: announcement | Tags:

Dear Colleagues, I am pleased to announce the publication of a Renditions special issue (77/78): “Chinese Science Fiction: Late Qing and the Contemporary.” As a popular genre, science fiction has energized modern Chinese literature by evoking an array of sensations ranging from the licensed online pharmacy grotesque to the sublime, from the utopian to the apocalyptic, and from the human to the post-human. It mingles nationalism with fantasy, sharpens social criticism with an acute awareness of China’s potential for further reform as well as its limitations, and envelops political consciousness in scientific discourses on the power of technology or the technology of power. Science fiction today both echoes and complicates the late Qing writers’ vision of China’s future and the transformation of human society. Juxtaposing writings from the first two decades of successive centuries has proven to be a meaningful project. Both epochs are characterized by heightened aspiration for change as well as by deep anxieties about China’s future. A comparative reading of the stories from the late Qing and the contemporary sheds how much is viagra light on their common themes.

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Yet recapitulations of the earlier age’s literary motifs also lead to self-reflexive variations that point to the latter period’s uniqueness. The history of Chinese science fiction has never been continuous. Only three short booms can be identified: the last decade of the Qing dynasty (1902-1911); the first four years of the New Era (1978-1982); and the beginning of the twenty-first century. These booms alternated with long dormant periods. This Renditions special issue showcases representative works of Chinese science fiction from its first and latest booms, focusing on the late Qing and the contemporary. An earlier anthology Science Fiction from China (New York: Praeger, 1989), edited by Wu Dingbo and Patrick D. Murphy, introduced English readers to the second generation of Chinese science fiction writers. The works selected have all been translated into English for the first time. This special issue is also the first English-language collection tramadol overnight online pharmacy of Chinese science fiction since the publication of Wu and Murphy’s anthology in 1989. The thirteen pieces included are divided into two groups: the first four are stories and novel excerpts from dgfev online casino the first decade of Chinese science fiction’s development; the other nine pieces are recent works by contemporary authors. I will welcome any comments and criticism. I was invited by the Renditions editor Theodore Huters to guest edit this special issue two years ago, and I want to thank Ted, all the devoted translators, editors, and authors . Without the collective effort of many people involved in the long process of working on the project it would have remained a fantasy. Renditions is published by the Chinese University of Hong Kong. Its website: http://www.cuhk.edu.hk/rct/renditions/index.html It remains my hope that the third boom of Chinese science fiction will Last. Mingwei Song Wellesley College ==================================== Renditions 77/78 (Spring and Autumn of 2012) Special Issue: Chinese genericviagra-bestrxonline.com Science Fiction: Late Qing and the Contemporary Guest Editor: Mingwei Song (宋明煒) Table of Contents: Preface: Mingwei Song Part One: The Early Twentieth Century Xu Nianci, “New Tales of Mr.

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Braggadocio” (Translated by Nathaniel Isaacson) 徐念慈: 新法螺先生譚 Wu Jianren, New Story of the Stone: excerpts (Translated viagra online by Sterling Swallow) 吳趼人: 新石頭記(節選) Louise Strong, do i need a prescription for viagra “The Art of Creating Humanity” (Translated by Suozi [Lu Xun]; Re-translated by Carlos Rojas) 索子[魯迅]: 造人朮 Xu Zhuodai, “The Secret Room” (Translated by Christopher Rea) 徐卓呆: 秘密室 Part Two: The Early Twenty First Century Liu Cixin, “The Poetry Cloud” (Translated by Chi-yin Ip and Cheuk Wong) 劉慈 欣: 詩雲 Liu Cixin, “The Village Schoolteacher” (Translated by Christopher

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宋明炜,美国哥伦比亚大学博士(2005年),卫斯理大学东亚系助理教授。著有《浮世的悲哀:张爱玲传》(台北,1996;上海,1998)、《德尔莫的礼物:纽约笔记本》(上海,2007)等作品,另有论文发表于《中国学术》、《现代中国》、《上海文学》、《上海文化》、《天涯》、Journal of Modern Literature in Chinese等期刊。目前正在撰写英文专著Young China: Youth, Nation and the Bildungsroman, 1900-1958。论文集《批评与想象》即将由复旦大学出版社出版。近期研究课题为晚清与当代的科幻小说。

Song Mingwei (Ph.D. Columbia, 2005) is currently an assistant professor of Chinese literature at Wellesley College. His major publications include: The Sorrows of a Floating World: a Biography of Eileen Chang (Taipei, 1996; Shanghai, 1998), Delmore's Gift: a New York Notebook (Shanghai, 2007), and journal articles appearing in China Scholarship, Studies of Modern China, Shanghai Literature, Shanghai Culture, Frontier, and Journal of Modern Literature in Chinese. He is completing a monograph titled "Young China: Youth, Nation, and the Bildungsroman, 1900-1958". A collection of his critical essays, Criticism and Imagination, will be published by Fudan University Press in 2011. His recent research interest lies in the Chinese science fiction writings of the late Qing and the contemporary.

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